A wedding is a fantastic occasion. A chance to bring together all your family and friends to celebrate the best day of your life. Everyone gets to dress up. There’s likely to be a formal wedding ceremony, whether in a church or registry office, followed by a fantastic wedding reception with lots of good food and plenty of drink.
Last night saw the BlueBelles first rehearsal of 2015 and the introduction of 3 new songs. Lollipop, And so it goes and Yesterday.
Last week the BlueBelles were invited to sing at a Wedding in Stanton Fitzwarren at the Stanton Manor Hotel. Because the wedding was near Christmas (13 December) we had been asked to sing a number of Christmas Carols and other festive songs whilst the guests had coffee after the Wedding Breakfast.
Having a choir singing at your next corporate event may not seem the first thing you might consider, but it makes a lot of sense. Corporate events nowadays are as much about entertaining your staff and suppliers as they are about educating and informing.
When you sing in a choir, Christamas effectively starts on 1 December, certainly in terms of public performance. I’m sure, like me, you cannot abide these shops which insist on playing Christmas songs in their stores from October onwards. However, for choirs, it’s usually about October when the choirmaster starts introducing Christmas songs to learn.
Barbershop is always sung by single voice groups – either all male or all female – and the singing is in four parts, named after the male voices who traditionally sing them. These names are used even in women’s choruses. The parts are:
On Saturday 13 September 2014 a Quartet of BlueBelles travelled to Bath to sing at a Concert in St Saviour’s Church, Larkhall. We were invited to participate by Grenville Jones who runs a number of choirs in and around Bath as he wanted a contrasting choir to sing alongside his Welcome Choir.
Singing out of tune is a recurring problem that we hear from performers. An important element of the barbershop “lock and ring” sound is in-tune singing. We need to sing quality musical tones that are specifically in pitch to the anticipated melodic line. To make this happen, we must sing in tune both horizontally and vertically.